She looks like a trauma victim.
One can feel sorry for Fawcett and wish that her friends might intervene.
Unlike most people who would probably crave privacy, Fawcett opted to capture her final moments on film.
The painting scene, which follows, is a disaster.
Dwight Bowers, a curator for the Smithsonian, spoke to about the poster, claiming that it came to symbolize the 1970s.
Farrah Fawcett married the famous actor Lee Majors in 1973, as reported by.